Analyzing the Setup
Imagine standing on a straight road, listening to two distinct musical notes playing simultaneously.
As you move, the pitch of each note shifts due to the Doppler Effect.
In this problem, we have two speakers, M and N, separated by a distance of 20 m.
A car travels along the perpendicular bisector of the line segment MN, starting from a very distant point P, passing through the midpoint Q, and heading towards another distant point R.
Because the car is moving, the frequencies of the sound waves reaching the passenger are Doppler-shifted.
Since the sources are stationary and the observer is moving, the apparent frequency f′ is given by:
where vapp is the component of the car's velocity directed towards the source, and C=330 ms−1 is the speed of sound.
Let's define θ as the angle between the car's velocity vector and the line connecting the car to either speaker.
By symmetry, this angle is identical for both speakers at any given instant.
Therefore, the component of the car's velocity directed towards each speaker is vcosθ.
The Master Equation for Beat Frequency
As the car approaches the line MN, the apparent frequencies heard by the passenger from speakers M and N are:
Beats are produced due to the superposition of these two waves.
The beat frequency v(t) is simply the difference between these two apparent frequencies:
v(t)=fN′−fM′=(fN−fM)(1+Cvcosθ)
Substituting the given frequencies fN=121 Hz and fM=118 Hz, we get:
This is our master equation! It tells us how the beat frequency evolves as a function of the angle θ.
Evaluating Key Points
Let's evaluate the beat frequency at the three key locations: P, Q, and R.
At point P, which is extremely far away (1800 m compared to the 10 m half-width of the speakers), the angle θ is virtually 0∘.
Thus, cosθ≈1, giving:
At the midpoint Q, the car is directly between the speakers.
Here, the velocity vector is perpendicular to the lines connecting the car to the speakers, meaning θ=90∘ and cosθ=0.
This yields:
At point R, which is far away on the other side, the car is moving away from the speakers.
The component of velocity is now directed away from the sources, which flips the sign in our Doppler formula:
If we sum the beat frequencies at the symmetric extreme points P and R, we find:
vP+vR=3(1+Cv)+3(1−Cv)=6 Hz
Since vQ=3 Hz, we have:
This mathematically proves that Option (c) is correct.
Analyzing the Rate of Change
To find how rapidly the beat frequency changes, we can express cosθ in terms of the car's position y along the perpendicular bisector:
where d=10 m is the half-distance between the speakers.
Writing y=−vt (where t=0 at Q), we get:
Differentiating this with respect to time t gives:
dtdv=−C(v2t2+d2)3/23v2d2
To find where this rate of change is maximum, we look for where the magnitude of the derivative is maximized.
The denominator (v2t2+d2)3/2 is minimized when t=0, which corresponds to point Q.
Thus, the rate of change of the beat frequency is indeed maximum at the midpoint Q.
This confirms that Option (b) is correct.
Sketching the Schematic Curve
Since the derivative dtdv is negative for all t, the beat frequency decreases continuously from P to R.
At t=0 (point Q), the slope is at its steepest negative value, representing an inflection point on the graph.
Before Q, the curve is concave down, and after Q, it becomes concave up.
This classic S-shaped transition is perfectly represented in Plot D (Option d), while Plot A (Option a) is incorrect.
Hence, the correct options are (b), (c), and (d).