The Symphony of Moving Trains
Imagine standing near a railway track. You hear the whistle of a train approaching you—the pitch sounds higher than it actually is. This is the classic Doppler Effect. But what happens when there are two trains, and you are also moving? The sound waves from both trains reach you simultaneously, but because of the different relative velocities, they arrive with slightly different frequencies. When these two distinct frequencies superimpose, they create a rhythmic pulsing sound known as beats.
In this fascinating problem, we are tasked with finding exactly how many beats an observer hears per second. We have two trains, S1 and S2, both blowing whistles at a natural frequency of 120 Hz. The observer O is moving towards a stationary train S2, while another train S1 is moving towards S2 from a perpendicular direction.
Before we dive into the heavy physics, let's clean up our units. In physics, consistency is everything. The velocities are given in km/h, but the speed of sound is in m/s. Let's convert them:
vS1=108 km/h=108×185=30 m/s
vO=36 km/h=36×185=10 m/s
Train S2 is standing on the platform, so its velocity is 0 m/s. Now, we are ready to decode the sound waves.
Decoding the First Note
The Stationary Source
Let's start with the easier part of the problem: the sound coming from train S2.
Train S2 is stationary, and the observer O is moving directly towards it at 10 m/s. Because the motion is purely one-dimensional along the line connecting them, we can apply the standard Doppler formula directly.
When an observer moves towards a stationary source, they intercept more sound wavefronts per second than if they were standing still. This increases the apparent frequency. The formula for this scenario is:
Here, v is the speed of sound (330 m/s), vO is the velocity of the observer, and f0 is the original frequency. Let's plug in our values:
f2=120(330330+10)=120(330340)
Calculating this gives us:
This is the first note our observer hears. It's slightly higher than the original 120 Hz, which makes perfect physical sense because the observer is rushing towards the source.
The Geometry of Sound
Finding the Line of Sight
Now comes the tricky part: the sound from train S1.
Train S1 is moving horizontally, and the observer O is moving vertically. They are not moving directly towards each other. This is a classic case of the 2D Doppler Effect.
The most critical rule of the Doppler effect is this: Only the relative motion along the line joining the source and the observer affects the frequency. Any motion perpendicular to this line (transverse motion) does not compress or stretch the sound waves in classical acoustics.
Therefore, our first job is to establish this "line of sight" between O and S1.
Looking at the geometry, S2 is at the right angle of a triangle. The distance from O to S2 is 600 m, and the distance from S2 to S1 is 800 m. This forms a classic 3-4-5 right-angled triangle!
Using the Pythagorean theorem, the distance between the observer O and train S1 is:
Resolving the Velocities
The Crucial Step
Now that we have our line of sight, we need to find out how fast O and S1 are moving along this specific line. To do this, we need the angles.
Let θ be the angle at the observer's position between their direction of motion (towards S2) and the line of sight to S1.
cosθ=HypotenuseBase=1000600=0.6
This corresponds to an angle of 53∘.
Similarly, let ϕ be the angle at S1's position between its direction of motion (towards S2) and the line of sight to O.
cosϕ=HypotenuseBase=1000800=0.8
This corresponds to an angle of 37∘.
Now, we resolve the velocities. The component of the observer's velocity directed towards S1 is:
vO∥=vOcos53∘=10×0.6=6 m/s
The component of train S1's velocity directed towards the observer is:
vS1∥=vS1cos37∘=30×0.8=24 m/s
The Second Note and the Final Beat
We finally have the effective velocities along the line of sight. The observer is moving towards the source at 6 m/s, and the source is moving towards the observer at 24 m/s.
Since both are approaching each other, the apparent frequency will increase significantly. The general Doppler formula when both are in motion is:
Notice the signs: a plus in the numerator because the observer's approach increases frequency, and a minus in the denominator because the source's approach also increases frequency.
Let's substitute our resolved components:
f1=120(330−24330+6)=120(306336)
Calculating this yields:
This is the second note.
The observer is now hearing two distinct frequencies simultaneously: f1=131.76 Hz and f2=123.63 Hz. When two sound waves of slightly different frequencies interfere, they produce beats.
The beat frequency is simply the absolute difference between the two apparent frequencies:
fbeat=∣f1−f2∣=131.76−123.63=8.13 Hz
And there we have it! The observer hears approximately 8.13 beats per second. This problem is a beautiful demonstration of how geometry and kinematics intertwine in wave mechanics. By carefully breaking down the 2D motion into 1D components along the line of sight, a complex scenario becomes an elegant application of fundamental principles.