The Magic of Wave Interference and Doppler Shift
Imagine standing on a quiet street when an ambulance speeds past. You hear the pitch of the siren rise as it approaches and drop as it recedes. This is the Doppler Effect, a cornerstone of wave mechanics. But what happens when we have not one, but two moving sound sources, and an observer suspended high above their path?
This problem invites us to explore the beautiful intersection of geometry, wave kinematics, and the phenomenon of beats. When two sound waves of slightly different frequencies superimpose, they interfere constructively and destructively, creating a pulsating sound. The frequency of this pulsation is the beat frequency, and our goal is to find it.
Decoding the Geometry
The Isosceles Triangle of Sound
Before diving into the physics of sound, we must establish the spatial relationships. At the instant of interest, the two men are 10 m apart. The stationary observer is 12 m directly above the midpoint of the line segment joining them. This symmetry forms a perfect isosceles triangle.
Let's calculate the direct distance from each man to the observer. Using the Pythagorean theorem:
This 13 m line is the path along which the sound waves travel to reach the observer. The angle θ between the horizontal direction of motion and this line of sight is crucial because only the component of velocity along this line causes a Doppler shift. From our right-angled triangle, we find:
The Physics of Doppler Shift
Moving Sources
Now, let's look at the motion. Both men are walking to the right. The man behind (B) is moving at 2.0 m/s, while the man in front (A) is moving at 1.0 m/s.
Because B is on the left and moving to the right, he is moving towards the observer's horizontal position. The component of his velocity along the line of sight is:
vs,B=vBcosθ=2.0×135=1310 m/s
Since he is approaching, the frequency he emits is blue-shifted (increased):
Conversely, A is on the right and moving to the right, meaning he is moving away from the observer's horizontal position. The component of his velocity along the line of sight is:
vs,A=vAcosθ=1.0×135=135 m/s
Since he is receding, the frequency he emits is red-shifted (decreased):
The Power of Approximation
Binomial Expansion
We could plug the numbers directly into these equations, but the resulting calculation would be tedious and prone to arithmetic errors. Instead, we can use a beautiful mathematical shortcut: the binomial approximation.
Since the speeds of the men (<1 m/s along the line of sight) are tiny compared to the speed of sound (330 m/s), the ratio x=vs/v is extremely small. We can write:
Applying this to our frequency equations:
The Final Synthesis
Calculating the Beats
The beat frequency is simply the difference between these two apparent frequencies:
Substituting our approximations:
fbeat≈f0[(1+vvBcosθ)−(1−vvAcosθ)]
Notice how the constant term 1 cancels out perfectly! We are left with:
fbeat≈f0(v(vB+vA)cosθ)
This is incredibly elegant. The beat frequency depends directly on the sum of the speeds of the two sources! Let's substitute our values:
fbeat≈1430×(330(2.0+1.0)×135)
fbeat≈1430×(13×3303×5)=1430×429015
Now, observe the magic of the numbers chosen by the examiners. 4290 is exactly 3×1430! Therefore:
Thus, the stationary observer hears exactly 5 beats per second.