Analyzing the Setup
Imagine you are an architect designing a structure on a set A={a,b,c,d}. You are building a mathematical relation, which is defined as a subset of the Cartesian product A×A.
Since A has n=4 elements, the Cartesian product A×A contains n2=16 possible ordered pairs. Think of this as a 4×4 grid where each cell (x,y) represents a potential connection.
The Reflexive Lock
The problem imposes a strict condition: the relation must be reflexive. This means for every element x in A, the pair (x,x) must be in R.
In our grid, these are the diagonal elements: (a,a),(b,b),(c,c), and (d,d). Because these are mandatory, we have no choice but to include them.
They are locked in. We have effectively filled 4 cells out of 16, leaving us with 16−4=12 cells to decide upon.
The Dance of Symmetry
Now, we introduce the second constraint: symmetry. A relation is symmetric if (x,y)∈R implies (y,x)∈R.
This is a restrictive rule. It means that if you decide to include a connection from a to b, you are forced by the laws of symmetry to also include the connection from b to a.
They are a package deal. If you look at our remaining 12 non-diagonal cells, they naturally form 6 pairs of mirror images: (a,b) with (b,a), (a,c) with (c,a), and so on. We have 6 independent 'mirror pairs' to make decisions about.
The Power of Choice
For each of these 6 independent pairs, you have exactly two choices: either you include both elements in your relation, or you exclude both. There is no middle ground.
Since we have 6 independent decisions to make, and each decision has 2 options, the total number of ways to form such a relation is:
Calculating this, we get 64.
The General Elegance
This logic is a universal truth. For any set with n elements, the number of reflexive and symmetric relations is given by the formula:
When you plug in n=4, you get:
You have just mastered a core concept of discrete mathematics. The next time you see a relation problem, don't just calculate; visualize the grid, lock the diagonal, and watch the symmetric pairs dance.