Introduction to Resonance in Air Columns
Imagine standing in a room with a tuning fork vibrating gently.
If you hold it over an empty tube, suddenly, at a very specific length, the sound swells into a rich, booming hum.
This is the magic of resonance—the physical phenomenon where an external driving force matches the natural frequency of a system, causing it to vibrate with maximum amplitude.
In this problem, we explore a classic JEE scenario: two different organ pipes, one closed at one end (P1) and one open at both ends (P2), vibrating in harmony with the exact same tuning fork.
Let's dive deep into the physics of standing waves to find the precise geometric relationship between their lengths.
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Analyzing the Closed Pipe (P1)
Let's first look at the closed organ pipe, P1.
Because one end is closed, the air molecules at the bottom are restricted and cannot move; this forms a displacement node.
At the open top, however, the air is free to rush in and out, creating a displacement antinode.
For the fundamental mode (the first harmonic), this node-to-antinode transition spans the entire length of the pipe l1.
Since the distance from a node to the nearest antinode is exactly a quarter of a wavelength (4λ1), we can write:
Using the wave speed equation v=fλ, the fundamental frequency f1 of this closed pipe is:
where v is the speed of sound in air.
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Analyzing the Open Pipe (P2)
Now, let's turn our attention to the open organ pipe, P2.
Since both ends are open to the atmosphere, the air molecules at both boundaries are free to vibrate maximally, forming displacement antinodes at both ends.
For an open pipe of length l2, the fundamental frequency is given by:
The harmonics of an open pipe are simple integer multiples of this fundamental frequency:
We are told that P2 is vibrating in its third harmonic (n=3). Substituting this value gives:
This mode contains three displacement nodes and four displacement antinodes inside the pipe.
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The Resonance Condition and Final Calculation
Since both pipes are in resonance with the same tuning fork, their frequencies of vibration must be identical to the tuning fork's frequency f:
Now, we substitute our expressions for f1 and f3 into this resonance condition:
Since both pipes are filled with air at the same temperature, the speed of sound v is identical in both cases and cancels out beautifully:
To find the ratio of the length of P1 to P2, we rearrange the terms:
Thus, the ratio of the lengths of the two pipes is 1:6, which corresponds to Option (c).
This elegant result shows that an open pipe must be six times longer than a closed pipe to resonate at its third harmonic with the same frequency!