Introduction to Standing Waves in Air Columns
Imagine blowing across the top of an empty glass bottle. You hear a clear, distinct musical note.
What you are experiencing is the physics of standing waves in a closed organ pipe.
When sound waves travel down the bottle, they reflect off the bottom. The incoming and reflected waves interfere with each other.
At most frequencies, this interference is chaotic and quickly dies out. But at specific, special frequencies, the waves reinforce each other, creating a stable, high-amplitude vibration known as resonance.
Let's dive into how we can mathematically predict these resonant lengths for a given frequency.
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Analyzing the Boundary Conditions
To solve this problem, we must first understand the boundary conditions of a pipe closed at one end.
At the closed end, the air molecules are physically blocked by a solid wall. They cannot move back and forth.
Therefore, the closed end must always be a displacement node (where displacement is zero).
At the open end, the air is completely free to move and escape into the atmosphere.
Therefore, the open end must always be a displacement antinode (where displacement is at its maximum).
This simple physical constraint dictates the entire mathematical structure of the standing waves inside the pipe.
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The Master Equation for Resonance
The simplest wave pattern that can satisfy these boundary conditions is one where we have a node at the closed end and an antinode at the open end, with no other nodes or antinodes in between.
This is called the fundamental mode or the first harmonic.
For this mode, the length of the pipe L is exactly equal to one-quarter of a wavelength:
The next possible pattern that satisfies the boundary conditions must have a node at the closed end, an antinode at the open end, and one additional node and antinode in between.
This is the first overtone (or third harmonic), where the length of the pipe is:
Generalizing this, the resonant lengths L for a closed pipe must always be an odd multiple of a quarter wavelength:
Using the fundamental wave relationship v=fλ, we can express the wavelength as λ=fv. Substituting this into our length formula gives:
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Step-by-Step Calculation
Now, let's substitute our given values into this master equation:
Speed of sound, v=330 m/s
Frequency of the tuning fork, f=264 Hz
Let's calculate the fundamental length (n=1):
L1=(2(1)−1)4×264330=1×1056330=0.3125 m
Converting this to centimeters:
This matches Option (a) perfectly!
Now, let's find the next resonant length, which is the first overtone (n=2):
This matches Option (c) perfectly!
What about the second overtone (n=3)?
L3=5×L1=5×31.25 cm=156.25 cm
Since 156.25 cm is larger than any of the options provided, we have found all the possible correct choices within the given options.
Therefore, the correct options are (a) and (c).